Fallen Moon Servant - ...With a Stone in my Maw
Genre:Black Metal
Format: mp3
Country: United States
Size: 43 Mb

fallenmoonservant.bandcamp.com/album/wi … -in-my-maw
distrokid.com/hyperfollow/fallenmoonser … -in-my-maw

Tracklist
1. Grubs
2. The Three of Witches
3. Rise and Fall of the Goblin Master
4. Masque des Vampyres
5. Longing to be Dragged into Sunlight
6. Buried on my Side...
7. ...With a Stone in my Maw

[www.mediafire.com/folder/rdl40hw2bqj0x/ … +in+my+maw]

Wampyric Blackened Metal based around the North East of the United States.

This one has a quote from the James Bond theme: youtu.be/1Pbjx2yJ2t0?si=6jPy8FdRg3M9Rg6e
One more new song from the upcoming record: youtu.be/WOgS8dRyFoA?si=iJYtgh-FHF04l2cG

defectdesignerband.bandcamp.com/

Maybe not for everyone, but, perhaps, will bring joy to some. The artwork is from Ian Miller:

Band: Haiduk
Album: Archdevil
Genre: Blackened death metal
Country: Canada

haiduk.bandcamp.com/album/archdevil

1. Curser   
2. Vexer   
3. Reviler   
4. Deviser   
5. Torturer   
6. Darkener
7. Abhorer   
8. Infester   
9. Venomer
10. Necrifier
11. Usurper

www.youtube.com/watch?v=ldtWfvOH6H0

Maybe you have some one names good cover in death-style?

bands, for example exilia, like only 30% of 3-4 albums of all in total ,- it is good example, but not else - in flames - i only like the quet place and no more of all songs of band.

So: some band have hundreds of songs, but you like 1. 3-5 or 10-15 songs maximum, and only half of than can listen without bored?

There is such an idea that if it is so conceived exactly like this, then we can share our searches and find all the most good songs, for not listening "garbage," created maybe AI, and not by the group itself, because sometimes it already seems that the musicians did not hear their songs - otherwise they would have removed the garbage that they have in others albums.

If there are you, we can start searching for hits in the following directions:
- with electric guitars
-no electric guitars, with acoustic guitars
-no guitars at all
and in first groupe - by temas.

If you are interested, you can firstable write there your vote-interest and the chosen direction, and after that look in your files

For me, it's not just a river. It's a place of power, where I was born and where I come to wash away sadness and find inspiration. Whether it's summer heat or winter cold - swimming in the waters of the Styr always gives me energy to live, work and create. I experimented with the gloomy and majestic style of Symphonic Death Doom Metal, and something unique came out - a heavy sound with a deep meaning about healing through nature. The video features computer graphics effects and the use of artificial intelligence.
I hope this energy will be transmitted to you too! ?

www.youtube.com/watch?v=rHV2SWnLtX4

Music of resistance and nature. Pagan/doom metal with Ukrainian roots, inspired by the Styr River and mythological spirits-guardians. Here you can hear anger against corruption and concrete boxes, and the voice of nature fighting for life. Epic songs, satirical clips, caricatures and the atmosphere of real protest. The clips use elements and effects generated using artificial intelligence.
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Музика спротиву й природи. Pagan/doom metal із українським корінням, натхненний річкою Стир та міфологічними духами-берегинями. Тут звучить гнів проти корупції й бетонних коробок, і голос природи, що бореться за життя. Епічні пісні, сатиричні кліпи, карикатури та атмосфера справжнього протесту. У кліпах використано елементи та ефекти, згенеровані за допомогою штучного інтелекту.

www.youtube.com/watch?v=xKpgjbxRCx0

www.youtube.com/watch?v=USJd3GITNjA

Defloration of the Lonely Figure, we with artificial intelligence are a completely underground band that works in the styles of Black, Dez and Metalcore, strong protest texts will cause an unforgettable crash to your strong metal consciousness, catch a fresh message.

www.youtube.com/watch?v=iKZ6eiPR2kw

Paradise Lost have returned with their seventeenth studio album, "Ascension," which delivers a powerful, dignified statement rather than reinvention. The album art, featuring George Frederic Watts' painting "The Court of Death," perfectly captures the album's themes of human futility and grandeur against inevitability. The music feels heavy and dark, with deliberate, unstoppable guitar riffs and Nick Holmes' potent vocal delivery, alternating between guttural roars and weary cleans with authority.

"Ascension" opens with the intense "Serpent on the Cross" and mellows into the contrasting "Tyrant’s Serenade," blending bleak verses with melodic choruses. The album's heart lies in tracks like "Salvation," a mournful lament with a mix of harsh and clean vocals, and "Silence Like the Grave," which balances despair with catchy melodies and deep growls, showcasing the band's mastery in gothic doom metal. The midsection slows the pace with hymnal, immersive tracks like "Lay a Wreath Upon the World" and the flood-like "Diluvium," before picking up the venomous momentum in "Savage Days."

Standout tracks in the latter half include "Sirens," a doom-laden gothic metal jewel with seductive melody, and "Deceivers," delivering bitter, punk-like energy. The album concludes with "The Precipice," a grim, heavy track encapsulating the album's uncompromising mood, ending the journey without catharsis but with cold confrontation.

Performance-wise, Holmes continues to refine his dual vocal style, with gutturals sharp and cleans full of weathered authority. Guitarist Gregor Mackintosh's leads define the album's mournful and cutting melodies, supported by heavy, thick rhythm work and precise drum control that creates tectonic impact without sterility. The overall production balances crushing heaviness with melodic detail.

"Ascension" is not a fast or loud album but a deeply emotional, heavy, and mature masterpiece that requires patience to appreciate fully. It is a record of ceremony, grief shaped into melody, and riffs carrying decades of experience—an album that whispers the longest and establishes Paradise Lost as masters who continue writing their future rather than resting in their past.

This album stands as a dignified, heavy, and melancholic work that remains relevant and potent, securing its place in year-end metal conversations for 2025

Genre: Acoustic DSBM
Download any format for free on bancamp page
irshi.bandcamp.com/album/alt-nl-ablam

Other links:
Genius: genius.com/albums/Irshi/Altnl-ablam
Spotify: open.spotify.com/album/09O9CgRXTITnBuYV8bPDjC
Apple Music: music.apple.com/tr/album/altınlı-ablam/1802685282
YouTube Music: music.youtube.com/playlist?list=OLAK5uy … DXcXWRrx48
Linktree: linktr.ee/irshiege